"Tom Paris’ set evokes the mundane greyness of office life, splitting the audience down two sides and turning the desks into an almost gladiatorial gauntlet for these warring colleagues. Katherine Graham and

Tom Hackley’s lighting and sound is polished and this production looks classy"

- The Stage

"Melanie Spencer’s production boasts some committed performances and a fine set, by Tom Paris, that seats us on both sides of a carpet-tiled office"

- The Times

"The drama is placed within a corridor of office space that is framed by the voyeuristic eyes of the audience. Within this void designer Tom Paris has created a greyscale office that is as accurate in its corporate detailing as it is repulsive in its blandness"

- A Younger Theatre